Pan's Labyrinth, in my opinion, is the most remarkable movie of the year, at least among those I've seen so far (and I've seen a couple of pretty good ones). I can't stop thinking about it's beautiful and disturbing images, and I'm trying to build up the courage to go and see it again. I recommend it highly.
But with strong reservations. I'll likely buy it once it appears on DVD, but once I own it, I'll likely not be able to watch it. Certainly, not very often. My recommendation comes with a warning. It's really difficult viewing. Really, really tough. And I'm usually not all that squeemish at movies.
It's not that there's a whole lot of violence. There's only four or five such scenes in the movie, but they are intense and graphic, the sort that'll stick with you for a long time. I went for a walk by myself in the park around twilight tonight, and I found myself walking home really quickly. I've taken that same walk several times a week for the last year and have never even thought about it. If you don't have a strong stomach, I'd not advise going to see this.
But it's a heck of a show. It's sort of a difficult plot to describe. The setting, as far as I could tell, was occupied Spain during WWII at a small army outpost in the mountains. The post is led by a sadistic, fascist captain who is trying to quell the last of the resistance. The protagonist is an imaginative little girl, Ofelia, whose pregnant mother has married the captain. Some members of the resistance are followed as well. The story is in the mode of magical realism, and so parts of it draw heavily on Norse mythology and (to a little lesser degree) on Christian theology. Ofelia ends up being visited by Pan, who informs her that she is a princess and gives her some tasks to accomplish so that she can save her magical realm and escape into it. So the movie then begins to follow parallel storylines, that of the resistance versus the captain and that of Ofelia's performing her quest. Of course, there's plenty of interplay between the stories, as they comment on one another, and in a pretty astonishing manner, converge.
That's a ridiculously simplified presentation of the plot, but hopefully enough to interest you. The story is grim, but rewarding. It explores, among other themes, the nature of fascism (and its disturbingly close proximity) and what it means and what it takes to resist. It gives you much to think about.
But don't say you weren't warned.
Labels: reviews